FALSE GROUND_CAV_17, Centro De Artes Visuais, Coimbra 2017
BLUE BUCKETS, 2017, buckets, water, nonfunctional fountain, dimensions variable
TRIPLE HEATER, 2017, three similar golden radiators, round table leaves, dimension 260 x 240 x 85 cm
LEG, 2017, 47 c-prints on metallic paper, pins
MIRRORS, 2017, mirrors leaning to the wall in opposition with LEG
WATER LEMON, 2017, water bottles and lemons from local production
COLLARIUM, 2017, 10 UV G13 lamps on solarium structure, aluminium, wires, 200 x 80 x 25 cm; UNTITLED (MARBLE), 2017, 2678_31A, c-print on metallic paper 66.6 x 100 cm, aluminium frame; STAIRS ETC, RADIATORS SHEEET NR 1, 2013, inkjet print on Innova paper, aluminium frame, 80 x 120 cm
STAIRS ETC, ENCLOSURES SHEET NR 21 + 11, 2017, inkjet print on Innova paper, aluminium frame, 80 x 120 cm
UNTITLED (TABLE), 2013, inkjet print on Innova paper, aluminum frame, 100 x 150 cm
VIDEO_OBJECT STAIRS I (Evora), 2016, video on 46" flat screen, 4 min 45 sec (loop), stereo sound, 2 Genelec speakers, cables, limestone pedestals
XX SMALL, 2017, bench for children, 175 x 40 x 25cm; FATIMA, 2017, wax shoes, 22 x 8 x 12 cm
TRANSPARENT GROUND, 2017, glass door panels replacing floor panel, 239 x 385 x 2 cm
WATER LEMON, 2017, water bottles and lemons from local production
“False Ground“ includes photographs, videos and objects. All the works are related to themes and notions such as public space, architecture, ground, materials, horizontality, and history. The exhibition space in Coimbra is located inside a building marked by a long and traumatic history – it was a building used by the inquisition in the 16th century – a building that had an important and successful renovation. Therefore, the exhibition aims to reconfigure the exhibition space in order to project an experience of an imaginary place, a place that emerges from the juxtaposition of different times and spaces, and where the architectural elements, the objects and the figures, are simultaneously concrete and allegorical.